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Wrinkles and Scars

by JAMES GORDON

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1.
The wild wind blows through the valley The fire grows by the day It’s time to go, come on Sally That fatal glow, is coming our way Seven generations now On this family farm, somehow We made it through floods and drought We made it through the dust bowl and We managed to bounce back again When the bankers tried to close us out Feel that heat it’s closing in Close enough to scorch your skin Sal it’s time to set the horses free You’d think that all that thick black smoke Would wake up all the anti-woke But they stay too blind to see The earth is black the sky is red But most of us still keep our heads In the smoldering sand When the haze blocks out the sun Sal, it’s time for us to run But where can we go in this troubled land
2.
I see a beautiful earth So green and so blue A place of rebirth All shiny and new And it’s taken me a lot To finally understand Those are just crazy thoughts Of a foolish old man I see a world without war with no selfish greed Where we all look out for Each other’s needs But now it seems to me I was just in dreamland Just the fantasy Of a foolish old man The map that I made Of my brilliant plan Has all washed away It was written in sand By a foolish old Man I can see you and I Classic boy meets girl With stars in our eyes Out there changing the world With love as deep as the ocean Forever hand in hand But that’s just a wild notion Of a foolish old man
3.
They got a blue-eyed Jesus. Preaches the gospel of hate They got a blue-eyed Jesus. Preaches the gospel of hate a platoon of believers They are storming the gates American Taliban They’re everywhere but hard to see American Taliban They look just like you and me They say they want their freedom, But what they want is to take yours They SAY they want their freedom, But what they want is to take yours There’ll come a day when you’ll see them Knocking at your doors They’ll put fear in your children With their A R Fifteens They’ll put fear in your children With their A R Fifteens It is clear they don’t mind killin’ To drive us to our knees
4.
Painters and poets, philosophers and kings Looking to the cosmos for the same things Rebels and angels, singers, and dancers Everybody’s out there looking for answers We’re all looking for, we’re all looking for Leonard’s secret chord Some are looking inward,into their troubled souls Some are looking for wisdom in the ancient scrolls Some are looking to the heavens, some look beneath their feet Some are looking in the dumpsters for something to eat We’re all looking for, we’re all looking for Leonard’s secret chord A chord to transform your song and cut through The mire and the muck, until it rings true That will lift up your chorus and make it divine So that when you sing it the stars align Some say you’ll never find it if you overthink it Or that there’s a magic potion, you just have to drink it As for me I know where I want to start Diving deep into your bottomless heart We’re all looking for, we’re all looking for Leonard’s secret chord.
5.
Those shoulders of yours were not built to carry The world’s heavy weight. It’s so much to bear, I’m afraid you’ll get buried In your fragile state You’ll get lost in the rubble Overwhelmed by the troubles That drop like bombs every day You always fight the good fight Turning darkness to light When it makes me want to run away That big heart of yours, with so much love in it Wasn’t made for the fear and the hate How much can you hold, there must be a limit To what that poor heart can take As things keep getting worse I fear it’ll burst If I trusted some god I would pray That the goodness in you Would somehow make it through To find the sun in these skies of grey You can’t make the Rain of fire cease, all on your own Can you wave a flag of peace When we’re all throwing stones So let’s fight the good fight Together we might Just find a better way
6.
Uncle Neil 03:20
He took his fiddle off the wall, And said “I get forgetful, that’s all All this talk From that quack of a doc, He thinks that I should be mothballed” Then he’d put that fiddle to his chin Grab his bow and he’d begin The way he always did with the St. Anne’s Reel Somehow the part left in his brain That held those tunes remained the same As long as he could play then you could feel Like we still had our good old Uncle Neil Sometimes on visits he would know Who I was and we would go Down memory lane So many road-blocks on the way That trip could get treacherous and slow But he’d start into an old-time tune He’d tap his toe and pretty soon He would be back on an even keel And although that terrible disease Had brought that poor guy to his knees As long as he could play then you could feel Like we still had our good old uncle Neil
7.
Nyabarongo 03:42
After you meet your quota, at the end of a long day Do you tally up your harvest, and put your scythe away Do you walk past the church with your head held high Do you whistle a tune to drown out the cries What is the tale you tell your children When you tuck them into bed About the Nyabarongo and why it’s flowing red And why it’s flowing Red In the evening when it’s cooler, Do you sit out on your porch Before you head out for a night shift With your machete and your torch Do you discuss the subtle difference Between a monster and a man And tell your wife with a kiss goodnight That it’s somehow all god’s plan At night do you Dream that some demon’s been released from the cage That contained that hate, that chained up that rage Does the beast that’s been unleashed howl at your door Till you wake up and take up the hunt once more
8.
We earned all these wrinkles We earned all these scars And we wear them like badges ‘Cuz we made it this far We’ve got near as many As those twinkling stars We earned all these wrinkles And we earned all these scars I got mine playing guitar In these honky tonk bars Livin’ the dream, boys, livin’ the dream You got yours putting up with me So thanklessly Don’t know how you did it actually Sometimes we Do an inventory ‘Cuz each one tells a story And counting them up’s kind of fun We add up each other’s Under the covers Our work is never done We used to hate ‘em Now we celebrate ‘em Top to floppy bottom Those bumps along the way Got us where we are today We’re so grateful that we’ve got ‘em
9.
Willow 03:50
I came down To Simpson Sound To spend my harvest pay Madame Paquette Had rooms to let My intention was to stay At least until Those barren hills Were free of snow again Till my belly was full And I felt the pull To resume my wanderin’ ways Madam she said “If you visit the bed Of young Willow over the stable She’ll treat you kind If you’d be inclined To leave a deuce on my table” Such delights On those winter nights Filled with love and laughter She’d bend to me Just like the tree That she had been named after Oh Willow You don’t have to weep Oh Willow I will set you free By St. Patrick’s Day I’d spent my wages And the ice in the bay was gone “Willow”, I said, “Though it fills me with dread It is time for moving on But I can’t live. Unless you give Me your hand and come with me” She cried “Madame Paquette Will never let me leave” So I pleaded and I begged Madame said “Sir. You can’t have her Though every night you bought her I won’t let her go. Because you should know Willow is my daughter” So we parted Broken hearted And I headed for the west When I returned With sorrow I learned That Willow had been laid to rest Oh Willow For you I’ll always weep Oh Willow, I pray the lord your soul to keep Oh Willow, you set yourself free
10.
The haze from the wildfires blocks out the sun Everything’s grey and I’m feeling done The summer seems like it’s on the run I’m as lonesome as Hank Williams tonight I’m as lonesome as Hank Williams tonight No whippoorwill too blue to fly No falling stars, no purple sky But still I have to say that I’m as lonesome as Hank Williams tonight As lonesome as Hank Williams tonight It’s Knowing that you’re just not there The ominous smoke that fills the air The uncertainty that’s everywhere Tonight it’s just too hard to bear No midnight train to lowly whine No robins weeping, no moon that’s cryin’ No endless night, and no leaves dyin’ But I’m as lonesome as Hank Williams tonight as lonesome as Hank Williams tonight I’m so lonesome I could cry
11.
Yacht Money 02:14
Work hard all the live long day Crappy hours, crappy pay Your ends don’t seem to ever meet You’re gonna end up on the street It’s so sad it’s almost funny You’re making your boss his Yacht Money You call that a job? It’s god forsaken Aches and pains, back breakin’ You wonder where the money went It goes straight to the one percent You never stop, just like that bunny You’re making your boss his yacht money Rent is high, your wages teeny That’s how he gets his Lamborghini Come on give us a great big smile You’ve supported his lifestyle He told you he’d be grateful if You started doing longer shifts And take a little cut in pay ‘Cuz times are tough for the rich these days He needs to winter somewhere sunny You’re making your boss his yacht money
12.
You’ve made me your enemy You howl like a wolf at my door This will never be your victory ‘Cuz you’re fighting the wrong war You look for someone you can blame You need to settle up a score In a game that you can’t name It isn’t me you’re looking for When you let love leave your heart Hate will fill that hole And that hate will tear us apart And it will steal your soul The fabric seems all torn That once joined this fragile nation So you honk your horn And you shout out your frustration But if you’re shouting I can’t listen If you’re in my face I cannot see A way to bridge the icy distance That stands between you and me
13.
Raised on Rock and Roll, Rhythm and Blues Twist and Shout and Blue Suede Shoes You learned your trade you paid your dues Music was your lover The road became your closest friend It nurtured you it kept you fed You thought that it would never end Music was your lover When the road’s the only thing you’ve known It’s in your blood it’s in your bones it’s hard to watch it falling all apart Your guitar’s not going to pay the rent Unless you are the one percent This broken biz is gonna break your heart Something happened along the way No one values what you do these days They want your songs but they don’t want to pay Music was your lover Expenses have doubled and the income’s half It’s so sad that you could laugh It’s a joke if you try to do the math Still music was your lover When the rental car makes more than you Gas and airfare, hotels too What are you supposed to do Music was your lover Still somehow you keep on trying It’s a hard sell, nobody’s buying It’s not a living, it’s more like a dying Is it time to leave your lover? Maybe if you sold your gear You’d make it through another year But losing that life was not what you had planned for People still like to hear you play It doesn’t matter anyway You can’t take applause to your landlord So say goodbye to your beloved road You can stay home and get it as a free download Don Maclean was right I suppose This is the day the music died
14.
Storms on the horizon Black clouds overhead Something in The worried wind Is filling me with dread In this stressed-out city Folks can be unkind But here’s what I do To make it through I’m keeping you in mind As long as I’m Keeping you in mind You’ll show me a sign And the sun will shine I’ll be fine I can stop this cryin’ As long as I’m Keeping you in mind We get our collective Knickers in a knot We fuss and fight And we lose sight Of the good things that we’ve got But there’s joy and there is promise Things you know how to find I get by As long as I Am keeping you in mind It’s a beautiful thing All that you bring It makes my heart sing A song of you When I feel despair I come up for air ‘Cuz I know where I can lose these blues

about

This ambitious new project features Gordon’s ‘Exceptional Ensemble’- a most impressive line-up of Canadian roots-music all -stars and the first time he’s used a full-band sound in a while.
*Anne Lindsay, known these days as a member of the Jim Cuddy Band, is the main soloist on fiddle, mandolin and piano.
* David Woodhead on bass, has played with James off and on for 40 years and is known as Stan Rogers’ accompanist. Currently he’s touring with James The Other, (Keelaghan).
* Katherine Wheatley is on guitar and vocals. A real force on her own as a singer-songwriter and as part of ‘Boreal’, ‘Wendel and Wheat’ and ‘Betty and The Bobs’.
* Ian Bell is the ‘utility man’- on button accordion, harmonica, concertina, guitar, banjo, jaw harp, and bass when David is fooling around on other things. Ian has been there and done that , and is also a fine songwriter with many albums to his credit.
* Randall Coryell on drums. Randall has played with many great acts including Allannah Myles, Tom Cochrane, Glass Tiger, Paul Butterfield, Bo Diddley, Quartette and the Marigolds.
*James himself contributes vocals, guitar, piano, banjo, harmonica, tin whistle, trumpet and glockenspiel!

As a collaborative team they’ve arranged and recorded 14 brand-new and compelling Gordon songs. The sound is bigger than his last, more intimate, work: more radio-friendly and richly textured. As ‘Sing Out Magazine’ said about a previous release, he has a “rootsy sound, strong songs, with a poet’s eye for telling details and a picket-line singer’s passion.”

Known for delving into sometimes challenging topics, this time we see Gordon exploring the climate-change impact of last year’s wildfires in the first single ‘Wild Wind Blows’, the dangerous American religious right with ‘American Taliban’, dementia with ‘Uncle Neil’, our increasing sense of despair and overwhelm with ‘The World’s Heavy Weight’, the ongoing challenges in the music biz with “Music Was Your Lover”, isolation with the haunting ‘Lonesome as Hank Williams Tonight’, genocide with ‘Nyabarongo’, the realities of extreme capitalism with the humorous ‘Yacht Money’, and exploring the aging process with ‘Foolish Old Man’ and the whimsical title track, and much more.

Recorded live at Guelph’s River Run Centre at the end of January, producer Evan Gordon was able to take a multi-track recording from the two nights of performances there and finesse it in the studio to honour the amazing performances by that remarkable band.

credits

released March 2, 2024

Produced by Evan Gordon and James Gordon
Mixed by Evan Gordon
Mastered by Karl Machat
Recorded live at Guelph, Canadas River Run Centre January 2024
The Exceptional Ensemble:
Musicians:
Ian Bell: button accordion, trombone, concertina, banjo, guitar, jaw harp, harmonica, bass
Randall Coryell: drums, percussion
James Gordon: vocals, guitar, banjo, piano, trumpet, percussion, harmonica, tin whistle
Anne Lindsay: fiddle, mandolin, piano, backing vocals
Katherine Wheatley: guitar, vocals
David Woodhead: bass, lap steel, piano

Photography: Trina Koster
Graphic Design: Gareth Lind

All songs written by James Gordon ©Pipe Street Publishing, SOCAN.
Fiddle tune in ‘Uncle Neil’ is Drowsy Maggie: traditional
‘As Lonesome as Hank Williams Tonight’ quotes some lines from “I’m So Lonesome I Could Cry” by Hank Williams

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JAMES GORDON Guelph, Ontario

James Gordon is a Canadian songwriter/playwright/musician/producer/author and community activist. Co-founder of the legendary Canadian folk trio Tamarack, He’s released 40 albums in 40 years!
His newest release on Borealis Records- "the Heritage Hall Sessions" has been very well received world-wide. James Moonlights as a CIty Councillor in his hometown of Guelph, Ontario. www.jamesgordon.ca
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